Vol. 5 (2025)

Published: 2025-06-27

Editorial

Editorial Note

Andrew Duxfield, Lisa Hopkins

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Articles

Dido, Queen of Carthage and the Contradictions of Sovereignty

Edward Paleit

1-30
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“The stars move still”: Haste, Delay, and Doubt in Marlowe’s Doctor Faustus

Tyler Dunston

31-47
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The Cauldron and the Threat of the "Other" in Shakespeare's Macbeth, Middleton's The Witch, and Marlowe's The Jew of Malta

Clare Merrick

48-80
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The Bull Theatre, Bishopsgate Street and John Welles: A Creative Nexus for Marlowe, Shakespeare and the Inspiration for The Massacre at Paris?

Geoffrey Marsh

81-135
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Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie

Joseph Khoury

136-163
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The Employment of Touch in Christopher Marlowe’s Edward II

Jason O'Toole

164-179
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Book Reviews

Anne Dowriche, The French Historie, ed. Joanne Paul (CRRS, 2024)

Joanne Hill

180-183
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Christopher Marlowe, Dido, Queen of Carthage, The Revels Plays, ed. Ruth Lunney (Manchester University Press, 2023)

Andrew D. McCarthy

184-186
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Anthony Grafton, Magus: The Art of Magic from Faustus to Agrippa (The Belknap Press of Harvard University Press, 2023)

Melissa Pullara

187-191
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Kit Heyam, The Reputation of Edward II, 1305–1697: A Literary Transformation of History (Amsterdam University Press, 2020)

Aidan Norrie

192-194
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Arata Ide, Localising Christopher Marlowe: His Life, Plays and Mythology, 1575–1593 (Boydell & Brewer, 2023)

Laura Romain

195-197
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Theatre Reviews

Online Productions of Dido, Queen of Carthage

Lois Potter

198-205
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Edward II, directed by Daniel Raggett for the RSC, Swan Theatre, Stratford-upon-Avon, 12 March 2025

Peter J Smith

206-208
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Year's Work

The Year's Work in Marlowe Studies: 2023

Jennifer Lodine-Chaffey

209-235
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