Vol. 4 (2024): The Marlowe Festival Special Issue

Edited by Rory Loughnane, Anne-Marie Miller-Blaise, Catherine Richardson and Christine Sukic

Published: 2024-03-20

Editorial

Introduction

Rory Loughnane, Anne-Marie Miller-Blaise, Catherine Richardson, Christine Sukic

1-8
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Articles

Unreliable Allies in an Uncertain World: Warnings from History in Marlowe’s The Massacre at Paris

Joanne Hill

9-25
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Rewriting History for the Stage: The Theatricality of the St. Bartholomew’s Day Massacre in Christopher Marlowe’s The Massacre at Paris (1592)

Jeanne Mathieu

26-44
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A Massacre at Paris in French Translation: from Page to Stage

Anne-Marie Miller-Blaise, Christine Sukic

45-61
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Christopher Marlowe in Slovenia

Andrej Zavrl

62-91
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“Scorning both god and his ministers”: At the Origins of Marlowe’s Atheism

Cristiano Ragni

92-114
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Knowledge, Love and Epistemic Uncertainty in Marlowe's Dido, Faustus and Edward II

Mickael Popelard

115-131
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Cut is the Branch: Faustus's C-Text

Jonathan Pinkerton

132-150
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"Puzel" or "Pussel" and the Virgin Mary: 1 Henry VI and Anti-Catholic Polemic

Line Cottegnies

151-173
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Theatre Reviews

Massacre à Paris, directed by Jean-François Auguste's, performed at Comédie de Reims, Reims, and Oratoire du Louvre, Paris, 16–21 May 2022

Emma Rose Kraus

174-177
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Book Reviews

Christopher Marlowe, The Massacre at Paris, ed. Mathew R. Martin (Manchester: Manchester University Press/The Revels Plays, 2021)

Chloe Kathleen Preedy

178-181
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Year's Work

The Year’s Work in Marlowe Studies: 2022

Jennifer Lillian Lodine-Chaffey

182-196
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